麻豆果冻传媒

International requirements and visas

We can help you meet our English language or academic entry requirements.

Visas and immigration advice

Portfolio

Online portfolio

When you apply, please upload a digital portfolio. You may have a website you want to link to, or you may want to prepare your portfolio as a PowerPoint file or on Tumblr. Make sure there is some brief text explaining and contextualising the work so we can understand the thinking behind it. We are not interested in lots of striking single ‘images’ but want to see evidence that you can sustain an idea through the development of a body of photographic work, so we would expect the portfolio to be organised thematically. We would also normally expect to see 15-25 images.

Interview

We expect interviews to be online but check back here for updates. If you've already applied, we will tell you about any changes.

Top reasons to choose this course

• We take a distinctive fine art approach to photographic practice and encourage work that crosses technological boundaries and engages with film, video, sound and installation, performance, painting and sculpture.
• You will be practising and thinking about photography in a creative and critical environment, working in a modern building with specialist facilities.
• We will encourage you to engage with the latest developments in photography, fine art and wider media culture, and to constantly challenge the limits of the medium.
• During the course, you will build a professional profile as an independent practitioner, graduating with a body of work ready for exhibition, a publication and a piece of critical writing that will help to position your work.

• We offer guidance on professional development.
• You will be learning with course tutors who are experienced professional photographers and photographic researchers.

Areas of study

Areas of study

Practice-based projects are supported by introductions, tutorials, lectures, seminars and technical workshops. Workshops include demonstrations in the latest digital and traditional analogue processes, involving camera use, lighting, and black-and-white and colour printing. Key professional practice sessions include talks and seminars by photographers, artists, writers and other professionals concerned with commissioning, publishing and exhibiting photography.

Semester 1

• Research and Experimentation (40 credits): a practice module designed to help you explore your own approach to practice in more depth and develop related skills in research, experimentation and critical reflection.
• Contemporary Debates (20 credits): a theoretical seminar series leading to a 4,000-word essay considering the essence, apparatus and medium of photography in visual art and related documentary contexts.

Semester 2

• Photography Research Project, Stage 1 (20 credits): a practice module laying the foundations and making initial work in your specialist area of practice.
• Professional Development for Independent Photographic Practice (20 credits): offers an understanding of professional structures and career options in the specific area of photography within the broader field of visual art.
• Dissertation (20 credits): a 5,000-word dissertation exploring ideas related to the area in which your own photographic practice is situated.

Summer Semester

• Photography Research Project, Stage 2 (40 credits): developing and resolving a body of work for exhibition
• Photography Books and Publications (20 credits): realising your project as a publication

Making sure that what you learn with us is relevant, up to date and what employers are looking for is our priority, so courses are reviewed and enhanced on an ongoing basis. When you have applied to us, you’ll be told about any new developments through .

Meet the team

Fergus Heron, course leader

Fergus Heron is course leader for our Photography MA. He teaches photography practice and theory across the course. He studied photography at the Royal College of Art and the University for the Creative Arts and holds a Postgraduate Certificate in Learning and Teaching Higher Education from Plymouth University.

He is also a Research Student Supervisor and co-leads the Photography in Practice; Photography in Theory Research and Enterprise Group. His work as a photographer involves picturing aspects of the British landscape as strangely familiar places of different natures and histories.

Exhibitions featuring his work include the first major survey of Photography at Tate Britain, How We Are: Photographing Britain and shows at the Centre for Contemporary Art and the Natural World; Pitzhanger Manor House and Gallery; Royal West of England Academy; Museum for Contemporary Art, Roskilde, Denmark and K3 Project Space Zurich, Switzerland.

He is a contributor to A Companion to Photography (Oxford: Blackwell, 2020) and selected The Photographers’ Gallery Photography Culture online platform Photography and Landscape (2018). His photographs and writing are included in the anthology Emerging Landscapes (Abingdon: Routledge, 2014). Edited publications include Visible Economies (麻豆果冻传媒: Photoworks, 2012).

He has curated exhibitions in partnership with artists and galleries and as part of festivals, chaired artist talks and panel discussions and reviewed portfolios for artist development events and organisations across Europe. He served as a trustee of 麻豆果冻传媒 Photo Fringe 2012–2018. He has presented his practice-based research at numerous university conferences on art, photography, architecture and landscape.

See Fergus's work at .

Find out about our other teaching staff.

Facilities

The following resources are exclusively for MA and BA(Hons) photography students.

• Fully equipped photographic studios
• Dedicated photographic computing facilities
• A digital print bureau
• Traditional colour darkrooms with enlargers that accept a range of negative sizes up to 10 x 8”, capable of enabling the production of exhibition-standard prints
• A traditional black-and-white processing area and darkroom
• A selection of film and digital single lens reflex cameras – and medium-format and large-format film cameras – to supplement your own equipment

The university’s art and design library has a well-stocked photography area and provides access to a wide range of online resources.

Course fees

Scholarships, bursaries and loans

We offer a range of scholarships for postgraduate students. Bursaries and loans may also be available to you.

Find out more about postgraduate fees and funding.

The fees listed here are for the first year of full-time study if you start your course in the academic year 2024–25.

You will pay fees for each year of your course. Some fees may increase each year.

UK undergraduate and some postgraduate fees are regulated by the UK government and increases will not be more than the maximum amount allowed. Course fees that are not regulated may increase each year by up to 5% or RPI (whichever is higher).

If you are studying part-time your fee will usually be calculated based on the number of modules that you take.

Find out more

• Fees, bursaries, scholarships and government funding info for UK and international postgraduate students
• Student finance and budgeting while studying
• About the university’s fees by checking our student contract and (pdf).

Campus where this course is taught

Accommodation

Local area

Maps

Support and wellbeing

Sport at 麻豆果冻传媒